Showing posts with label television. Show all posts
Showing posts with label television. Show all posts

Sunday, April 15, 2018

Justified Idiocy

Amidst all the writing, acting, and directing brilliance on display in the FX series Justified (2010-2015) lies a considerable amount of idiocy.

The entire show might be regarded as nothing more than a vehicle for delivering violence — including creative forms of torture — to the screen, so much so it seems like a fetish of the writers. 


The endless standoffs, like something out of a cheap Western, are made no better by the silly patter — generally enumerating alternatives for how things will turn out depending on what the bad guys do.

As Eli Wallach's character Tuco classically said in "The Good, the Bad, and the Ugly" (1966), "When you have to shoot, shoot. Don't talk."


Precisely.

But far and away the worst idiocy of the Justified series is the main purpose of so many of these standoffs: trying to determine where somebody is. 


  1. Isn't it the job of the U.S. Marshal Service to find people? to always know where they are?
  2. What about using tracking technology — e.g., GPS, smartphones, other devices.
  3. How does anyone know where another person is without following or tracking him?

As the always interesting Wynn Duffy says at one point, when somebody accuses him of giving a false location for somebody else, "I told you where I saw him last, not where he is now."

Exactly.


But then, if the good guys only spent as much time tailing and locating evildoers themselves, we wouldn't have so many intensely fascinating standoffs.




Tuesday, April 03, 2018

Justified Accents

Late to the Justified series (FX 2010-15) bandwagon, I thought I'd express my admiration — and disapprobation — for the Southern accents on the show. First the surprises:

  • Timothy Olyphant, lead gunslinger, does a very believable Southern accent, complete with the proper inflections, intonations, and gestures — though he was born in Hawaii and raised in California (and is a Vanderbilt descendant). 
  • Jeremy Davies, who won an Emmy for his portrayal of bad guy Dickie Bennett, was born in Michigan — but moved to Kansas when still young (which might help).
  • Damon Herriman, who essentially steals the show as Dewey Crowe, a fully actualized Southern U.S. hillbilly — was born and raised in Australia.
Then the egregiously horrible:
  • Raymond J. Barry as Arlo Givens, Olyphant's father in the show, betrays his Long Island, New York background with a perfectly terrible attempt at a Southern accent.
Most of the rest of the cast have non-surprisingly authentic Southern accents, because they actually are from the South. Walton Goggins was born in Alabama and raised in Georgia, where Joelle Carter is from. Margo Martindale is from Texas, as is Natalie Zea.

Timothy Olyphant as Raylan Givens


Monday, February 10, 2014

Downton Abbey Needs Another War

A mudfight's the major conflict on Downton Abbey now.
Creator, producer, and writer of the phenomenally successful BBC television program "Downton Abbey" — Julian Fellowes — may say he doesn't want to take the series all the way through the next World War, but the show might benefit from his considering how using World War I as a backdrop helped make it such a success.

Any successful writing project benefits from a unifying theme, or a "spine" (as some people choose to call it). Failing this, a good backdrop always helps, and there has been no better one to use down through the history of good writing than war. War focuses the mind — and nation — as nothing else can. It works particularly well as a backdrop to a love story--the contrast being too delicious to escape.

World War I gave the show a place to send male characters, where they would become heroes in uniform (you gals love it). It gave a reason for converting the aristocratic manor that serves as the unifying local for the show to a rehabilitation center for returning officers. It gave a spurned female character a place to go to feel useful. Post war theatrics included a failed attempt to launch a contraband retail operation, establishing a soup kitchen for hungry vets, an out-of-wedlock child with a housemaid.

The lord of the manor could strut around in an army uniform, doing his part on the homefront. A servant soldier could heroically make another servant his deathbed war bride, so she could look forward to a pension when old. How tear-jerking is that? Not to mention the chance for the romantic lead to have a miraculous recovery from a battlefield spinal injury.

The show lacks a unifying theme, or anything else that ties the multivarious pitter patter of slap-dash storylines together, some of which just spring up randomly. Lord Grantham and Thomas heading to America is almost as out-of-the-blue as Gregson disappearing in Germany. Couldn't they have gone off in search for him? Will his going missing end up having something to do with espionage or rising Nazism?

Ah, but now we're back to war again.

Tuesday, February 04, 2014

Wednesday, January 02, 2013

"Va Va Voom" by Levi Brown & The Junior Mintz

The soundtrack on a commercial for A&E's show American Restoration on the History Channel1 with the song "Va Va Voom" supposedly performed by Levi Brown & The Junior Mintz (free MP3).


They seem to have another song, "Say You Will" (free download?).

Bob Crewe and Frank C. Slay, Jr. claimed copyright on words and music for a song titled 'Va va voom' in 19612 (renewed 1989)3 with the U.S. Copyright Office. Both songwriters wrote numerous songs in the 1950s style.

"Va Va Voom" (lyrics)

When you tell me to close my eyes
I know I'm in for a surprise
I feel like a child on Christmas Day
I can't wait to play.

CHORUS
I hear you walk into the room
I open my eyes
Va va voom.

Dinner with you by candlelight
A midnight stroll on a moonlit night
A little hug and a little kiss
It don't get better than this.

CHORUS
I start to hum my favorite tune
Oooh, baby
Va va voom.

My heart starts beating double-time
My temperature's rising, too
All in a tizzy, and I'm getting dizzy
I'm head-over-heels over you.

We're gonna to meet in a couple of hours
I've got champagne perfume and flowers
You call me up, say you'll be late
It's always worth the wait.

CHORUS
'Cause when you walk into the room
Oooh, baby
Va va voom
I start to hum my favorite tune
Oooh, baby
Va va voom.

SEE ALSO:
--Abby's Ultimate Dance Competition
--Flower's in the Attic (2014 TV movie): soundtrack

1. produced by Leftfield Pictures
2. registration 'EU0000691393 / 1961-10-17'.
3. renewal registration 'RE0000423281 / 1989-01-13'.